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The ‘Café de Chinitas’ Project

Café
de Chinitas is an enchanted cafe where red-golden cheong sams
and Asian melodies fuse with flamenco’s virtuosity and
bravado. This unique performance marks the first time the
‘East meets West’ fusion has ever been seen on
a Vancouver stage.
“We adopted the name ‘Café de Chinitas’
because it blends fiery Flamenco dance with the exotic Asian
sounds of the Orchid
Ensemble. While Flamenco is typically fused with jazz
and Latin music, it has never been expressed with a Chinese
element, so this idea is truly original and also extremely
relevant for the City of Vancouver, “ says Project Artistic
Director Kasandra La China, “We aspire to create a local
following for the Café de Chinitas series as a true
representation of who we are. It is a pure reflection of our
cultural identity.”
Café de Chinitas is crafted with a love of Flamenco
and an appreciation for ethnic diversity. Living in Vancouver,
a deep appreciation for multiculturalism comes naturally for
Mozaico Flamenco whose dancers represent a diverse range of
backgrounds including Spanish, Mexican, English, Chinese and
Filipino. Café de Chinitas represents an opportunity
to perform Flamenco at the highest calibre with great artistic
integrity while also allowing us to express ourselves in a
way that reflects our own cultural identity.
Our Secret Back Story to Café de Chinitas

Whether in our theatrical production or our NEW
tablao series in June 2007, you will be transported to
the magical and mystical Café de Chinitas. The curtains
open to reveal a hazy opium boudoir where women languish in
a dreamlike state at tables offering drink and smoke. The
music fades in and out with the wailing of the erhu and magical
strumming of the zheng, producing a reverie of the old Café
Cantante. This is a popular hang out for flamencos, aficionados,
socialites, gypsies, toreros and women of the night. Café
de Chinitas is a place where mischief, drama and intrigue
happen!
The Music that Inspires Café de Chinitas

Flamenco with an Asian twist! The music of Café de
Chinitas is a fusion of traditional Flamenco, which includes
singer, guitarists, cajon and palmas, and the exotic sounds
of the Orchid Ensemble. The Orchid
Ensemble embraced working with us in 2006 and is committed
to further developing flamenco repertoire. Our goal is to
develop a musical genre based on the cultural exchange between
Western and Asian musicians, and come up with a sound that
is distinctly “Vancouver”.
Challenging Stereotypes
in Flamenco

Mozaico Flamenco Dance Theatre juxtaposes Café de
Chinitas with dance performance by a multicultural company,
a Chinese-Flamenco fusion with Vancouver’s Orchid Ensemble
and costumes that blend Asian fashion design. Mozaico Flamenco
stands for Canada’s cultural mosaic. We challenge stereotypes
that only gypsies or Spaniards can perform flamenco. Even
today, the Spanish flamenco community still holds a prejudice
against foreigners performing flamenco. It is assumed that
if you are from a culture outside of Spain, you cannot interpret
flamenco well. Mozaico Flamenco challenges that notion because
we know that flamenco has grown beyond the boundaries of Spain
and has been embraced by many cultures and people world wide.
The reality is that Flamenco today is an international art
form that has been embraced by many cultures and people outside
of Spain…and we will prove that with our multicultural
cast and guests.
The History of Café de Chinitas

The
title “Café de Chinitas” means “Chinese
Café”. In the mid 1800s, Café de Chinitas
was a classic singing coffee shop in the city of Malaga in
Southern Spain. It was a typical Café Cantante (flamenco
tablao or nightclub) where people could see artists perform.
These were the first clubs to feature flamenco outside of
the intimate gypsy family gatherings. Historians call the
Café Cantante the Golden Age of flamenco song, dance
and music.
Federico Garcia Lorca described the inside of the café
as an Andaluz patio made of pebbles, strewn with wooden tables
and chairs. Built with Moorish arches and columns, the balconies
were lined along the lateral walls and huge mirrors were hung
around the establishment. Historians surmise that the name
Café de Chinitas was given because there was extensive
commerce with the orient (primarily the Philippines, part
of the Spanish empire) during this era. Many Asian women,
commonly known as “chinitas” used to regularly
attend the cafe so the name became Café de Chinitas.
Today Café de Chinitas is immortalized as a traditional
Petenera song form with lyrics by Federico Garcia Lorca. There
is also a famous flamenco tablao in Madrid with the same name.
The Song by Federico Garcia Lorca (1898 – 1936)
Café de Chinitas is a song written by poet, writer
and musician Federico Garcia Lorca (1898 – 1936) which
was influenced by the popular songs of his time. Café
de Chinitas along with songs like Zorongo, Anda Jaleo and
Los Cuatro Muleros were used by the Republicans during the
Spanish Civil War as rallying songs for the their cause. Federico
Garcia Lorca spins a tale of a rivalry between two brothers
at the Café de Chinitas.
En el Café de Chinitas
Dijo Paquiro a Frasquelo:
“Soy mas valiente que tu,
Mas Gitano y mas torero.” |
|
At the Café
de Chinitas (a flamenco café)
Paquiro told his brother (Frazquelo)
“I am more courageous,
more gypsy
And more of a bullfighter than
you”. |
Hablaron las malas lenguas
De un torero de cartel
Y de un toro blanco y negro
Que nadie podia con él. |
|
Tongues were speaking
badly
Of a bullfighter of renown
And of a bull white and black
Who no one could handle |
Saco Paquiro el reloj,
Y dijo de esta manera:
“Este toro ha de morir
Antes de las cuatro y media. |
|
Paquiro took out
his watch
And said these words
“This bull must be dead
” By half past four”.
|
Al dar las cuatro en la calle
Se salieron del Café,
Y era Paquiro en la calle
Un torero de cartel. |
|
The clock outside
struck four
When they left the café.
In the street was Paquiero
A renown bullfighter. |
The Petenera Song Form

Café de Chinitas is a song form, palo, in flamenco
called Petenera. It was danced in late 1800s by Maestro Jose
Otero in Seville who used to choreograph to piano and perform
it as a school dance, baile de escuelas. Later the Petenera
was transformed into a song with three standard coplas (verses)
accompanied by the guitar and eventually became adopted by
flamenco into a dance with no form. Today there is a superstition
surrounding Peteneras because someone died dancing it once
and it is considered bad fortune to play it. Some gypsies
still refuse to perform it!

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